The creation of modern talented Tajik poetess Farzona, though having been the object of numerous researches, however, remained out of the field of vision on the part of literary critics in such genre as dubaity (a type of quatrains), but her contribution into its development is not small.
The author of the article makes an endeauvour to determine the place of dubaity in Farzona`s creation. A thematic classification of dubaitys is carried out. Proceeding from the analysis of the poetess` quatrains the author comes to the conclusion, that loving, mystical and philosophical four-lines-stanzas occur in Farzona`s creation oftener than others and even these three ones sometimes don`t yield to precise differentiation. It is asserned that though dubaitys as a genre form can be found in the creation of almost all modern Tajik poets, but the genuine efflorescence of the genre is associated with the names of Loik Sherali and Farzona.
modern Tajik poetry, poetical genres, dubaity, Farzona`s creation
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