The author of the article makes an endeavor to research the place of tarkibband (poetic form with repetitive refrain) in Naziri Nishopuri`s divan. Proceeding from this consideration, the author cleared out that although there are only seven relevant components in the poet`s divan, but Naziri displaying his great mastership in application of such kind of literary genre and created his own stylistic manner. The author of the article underscores that in terms of content philosophical, moral, social and spiritual issues are considered in the poet`s tarkibbands emphasizing their diversity, on the whole. Adducing the result of the analysis beset with the theme explored, the author comes to the conclusion that the most important peculiarities of the Indian style are traced in the poet`s writing style that testifies to high skills in reference to its elements usage.
Nazirii Nishopuri, tarkibband, Indian style, thematics and content, poetry mastership, individual style, Sufi and belles lettres motives
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