The article dwells on a degree of using the composites pertaining to tatpurusha type in Bedil’s poetry. Having studied the respective material consisting of the composites contained in Bedil’s poetry the author divided them into two groups: 1) extended composites; 2) archaic composites. He has formulated a thesis running to the effect that some components of composites become archaic in the process of Tajik language evolution. Archaic composites are divided into three groups according to an archaic aspect a word component possesses: 1) composites whose first component is of archaic character; 2) composites whose second component is of archaic character; 3) composites whose both components are archaic. Upon the whole, the author substantiates the opinion that archaic composites in Bedil’s poetry are occurred scantily and many of them are traced back to the creation of the poet himself as they aren’t found in interpretation dictionaries.
Mirzo Bedil’s Poetry; composites of tatpurusha type, lexical composition, extended composites, archaic composites, components of composites
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