The article analyzes the structural and thematic features of the mesnevi “Kornoma” by ibn Yamin Faryumadi. It is noted that in the history of Persian-Tajik literature, Ibn Yamin is better known as a master of the kita genre, however, the study of his work shows that he had great skill in composing works in the mesnevi genre. It is noted that in creating mesnevi, Ibn Yamin followed the traditions of their writing in the Persian-Tajik literature of the 14th century, however, in some poems the poet shows innovation, an example of which is the mesnevi “Kornoma”. It is emphasized that, although the poem “Kornoma” is written in the style of the “kornoma poem” of Persian-Tajik literature, Ibn Yamina’s mesnevi differs in poetic size, content and style of presentation. Unlike the traditions of writing mesnevi in Persian-Tajik literature, Ibn Yamin's poem does not have an introductory part. Another difference seems to be the inclusion in the mesnevi of the so-called “composite ghazal,” that is, a ghazal that is absent from the poet’s diwan. The style of presentation in “Kornoma” is very harmonious, free from pretentiousness and close to the Khorasan style of Persian-Tajik literature.
mesnevi, Ibn Yamin Faryumadi, “Kornoma”, Persian-Tajik literature referring to the 14th century, structure, theme, genre
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